Winter never allows for much light — but here in the East, we’re lucky on most January days to reap what I call, “half-light” — a condition where the deciduous trees appear to let in more light and sound, but because of the sun’s position and earth’s rotation, we end up stuck with just a fraction of what we’d assume. Low-hanging cloud cover only further dilutes the weak power of our biggest and brightest star. For those of us that struggle through the gray with sun lamps, acupuncture, Vitamin D, bamboo socks and warm frothy drinks — half-light is one of the biggest blows to the psyche.
The in-between is the chasm — it’s as if, day didn’t quite care to break: day didn’t have the energy to combat the night, so it raised a limp arm with a not-so imperial wave of foggy fingers and simply cast a shadow over the hills — the poor valleys don’t stand a chance. But unlike fog with its eventual movement, half-light holds steady as a silent storm over the winter landscape — it holds no mystery, as it reveals nothing — again, unlike fog which often reveals the crispness of winter sun rays above. Half-light is the turtle of winter, yet it has no race to win…it exists only to plod and hold steady; it is the solstice equilibrium of partially day, partially not — the nowhere of in-between.
Emily Dickinson, one of my poetry idols, captured this feeling best. What is the meaning of this light? Is it the half-way mark between winter and spring? Life and death? Valley and peak? Love and despair?
There’s a certain Slant of light (258)
There’s a certain Slant of light, Winter Afternoons – That oppresses, like the Heft Of Cathedral Tunes – Heavenly Hurt, it gives us – We can find no scar, But internal difference, Where the Meanings, are – None may teach it – Any – ‘Tis the Seal Despair – An imperial affliction Sent us of the Air – When it comes, the Landscape listens – Shadows – hold their breath – When it goes, ‘tis like the Distance On the look of Death –